Notable published works include a chapter entitled “Losing Time and Space: Experiencing Immersion”- part of the cross- disciplinary Springer-published text ‘Space, Time and the Limits of Human Understanding’, including authors such as Noam Chomsky. Select presentations include the 2015 Designing for Domes Symposium in Singapore, the 2014 Fulldome Festival in Jena, Germany, and the 2013 Society for Animation Studies conference in Los Angeles. Reichenbach’s work has notably been exhibited at the Virgin Airways clubhouse at LAX, Light City Baltimore Festival of Lights, HUBweek: A Festival for the Future, the Director’s Guild in Los Angeles, Burning Man Festival, Bonnaroo: Pageant of the Cosmos presented by Adult Swim, RiverRun Film Festival, Punta Y Raya Festival, and Anima Mundi. An award-winning multimedia artist specializing in immersive and architectural media, her work breaks the traditional frame of filmmaking and explores 360 degree space through fulldome filmmaking, architectural installation, projection mapping, and interactive experiments. Light Paint Animation: Caleb Blue, Mai Bunch, Nick Chmil, Shelly Gertan, Sarah Mydland, Katie Woodworth, Sam Wuĭiana Reichenbach is a Professor of Animation at the Savannah College of Art and Design, where she joined as faculty in 2016. The animation was filmed at the cemetery in Lacoste. The light-animation was created by students attending the Savannah College of Art and Design’s study abroad program in Lacoste, Provence. Dave also produces more mainstream Electronic music and is From the Floor section editor for Dancecult: Journal of Electronic Dance Music Culture.ĭave’s compositions have been performed at the Soundings Festival Edinburgh, MANTIS Festival University of Manchester, flEXiff Experimental Film Festival Sydney Australia, Seeing Sound Bath Spa, ICMC Shanghai, Noisefloor Festival Staffordshire and the Understanding Visual Music Conference in Brasilia, Brazilįeux Follets was inspired by the approach of All Saints’ Day and a desire to activate a space intended to honor and celebrate life. His more recent work focuses on composition for Visual Music with animation and electronic music. His earlier research centred on sonification and auditory display and his composition ‘Listen (Awakening)’ was performed at the Sydney Opera House as part of the ICAD conference in 2004. He is a visual music composer and holds a PhD in Visual Music composition. Two Reaktor block modular ensembles produce sonic textures which are harmonised on the pentatonic scale used by the chimes.ĭave is from Sheffield, UK, and teaches and studies Music Technologies at Staffordshire University, teaching MAX/MSP, mastering, sound synthesis and Quartz Composer. This is an instrument that triggers bell like timbres when one of nine pitched chimes are stepped on by a user.
The algorithmically generated music was inspired by the ‘dance chimes’ device ( tanzglockenspiel-dance-chimes.html). Additional compositional structure and complexity was determined by the composer. The graphics were created by a visual instrument, which reacts to audio in real-time.
It attempts to create rich visual textures and lighting effects from a minimal input coupled with the use of video feedback. It was originally scheduled to be completed in 1979 but regulatory proceedings, court battles and mismanagement have delayed its progress.An animated étude with rhythmically transforming geometric vector style imagery. Seabrook is more than $3.5 billion over its original budget, 90 percent complete, and its owners are hoping it can be brought on line by October, 1986. In contrast, construction on the much larger, Seabrook I Nuclear Power Plant in Seabrook, N.H., was begun 13 years ago. Yankee-Rowe was built in three years at a total cost of $39 million. The plant is owned by Yankee Atomic Electric Co., formed in 1954 by 10 New England utilities. 'Over the years it has been one of the most trouble-free plants in the country.' 'It's such a quiet place you never hear anything about it,' said Karl Abraham, public affairs director of the Nuclear Regulatory Agency's northeast regional office in Philadelphia. 13, it has also operated 270 consecutive days without a shutdown.
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The 185-megawatt plant, small by today's industry standards, has run at full power 73 percent of the time since starting up, compared to a national average of 60 percent at other plants.
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